The H&M x Simone Rocha collaboration has been brought to life using a combination of beautiful pop-up prints by painter Faye Wei Wei, the volumetric video and 8th Wall webAR experience. Images courtesy of H&M and photographer Sharna Osborne Roles: Character 4D capture Supervisor, Volumetric Capture Post Production Lead Supervisor, Pipeline Supervisor Software: Microsoft Mixed Reality Capture Technology, Nuke, Houdini More about the project on Dimension Studio website.
Balenciaga’s futuristic fusion of volumetric capture and video gaming is a quantum leap for fashion shows. Multi-platform game Afterworld: The Age of Tomorrow is a radical immersive adventure and deep dive into Balenciaga’s Fall 2021 collection. Bringing to life this projected future, Dimension collaborated with Balenciaga for one of the most innovative volumetric projects ever undertaken. Roles: Character 4D capture Supervisor, Volumetric Capture Post Production Lead Supervisor, Pipeline Supervisor Software: Microsoft Mixed Reality Capture Technology, Nuke, Houdini More about the project on Dimension Studio website.
Futuristic holographic music experience brings Sam Smith’s “Diamonds” to life on Spotify Canvas Volumetric Grammy-winner Sam Smith stars in the first-ever three-dimensional AR artwork to be featured on Spotify, allowing fans to engage in brand new ways. Roles: Volumetric capture, post-production lead Software: Microsoft Mixed Reality Capture Technology, Nuke, Houdini More about the project on Dimension Studio website.
A private volumetric concert in WebAR, on a burger Burger King teamed up with BBH, Dimension, Bully and UK rap artist Tinie Tempah to offer a bespoke virtual performance of the music maestro’s summer anthem Whoppa… on a Whopper. Roles: Volumetric capture, post-production Software: Microsoft Mixed Reality Capture Technology, Nuke, Houdini More about the project on Dimension Studio website.
The Polymotion Stage Truck is the world’s first 3-in-1 4K mobile volumetric capture studio. Together with our partners Dimension we created Polymotion stage to support the time-sensitive content creation needs of broadcasters, sports teams, fashion brands, creative agencies and the entertainment industry. This truly mobile platform is capable of shooting volumetric video, taking 3D stills and full avatar creation anywhere in the world, allowing you to spend less time with talent and more time creating. Roles: Studio build – rigging, camera alignment, stage calibration and setup, stage operation, software deployment and installation, technical maintenance of the stage, troubleshooting, stage testing for validation Software: Microsoft Mixed Reality Capture Technology, IOI Technology More about the project on Dimension Studio website.
The future of catwalks Through a combination of the latest volumetric capture technology and Three’s 5G network, Adwoa Aboah, enjoys a front row view of the latest collections at Central Saint Martins, before witnessing herself appear as a volumetric video performance down what appears to be an otherwise empty catwalk. Roles: Character 4D capture, Post Production Lead Software: Microsoft Mixed Reality Capture Technology More about the project on Dimension Studio website.
A new dawn for cultural experiences Working with Nexus, we were able to bring the King and Queen of the Joseon Dynasty to life in augmented reality for the reopening of the UNESCO World Heritage Site Changdeok Palace. This virtual tour immerses visitors in the sights, sounds, and colourful stories once hidden in the past. Roles: Character 4D capture, Software: Microsoft Mixed Reality Capture Technology, Nuke, Houdini More about the project on Dimension Studio website.
AR project done with Reflector Entertainment and Madonna for the Madonna’s 2019 Billboard Music Awards premiere of her new single Medellín from Madame X album released in 2019. Madonna premiered the performance at the Vegas ceremony alongside South American artist, Maluma, and Dimension created four stunning virtual versions of Madonna that performed live on stage with the actual artists and were deployed using Unreal engine for the live broadcast. The performance has won the Best Use of Augmented Reality at Broadcast Tech Innovation Awards 2019. Roles: Character 4D capture Software: Microsoft custom 4D capture toolset More about the project on Dimension Studio website.
Roles: 360 stitching, 360 Stabilisation, 360 Tracking, 360 Compositing (patching, colour correction, object removal) Software: Cara VR, Nuke, Kolor Autopano Project Website: Royal Navy
Group Project done during second semester at Bournemouth University MA Digital Effects course Roles: Lighting, Camera Matching, Camera Tracking, Leaves FX, Render passes setup, Compositing SHOT 04: acquisition, camera matching, dummy geometry modelling, backplate cleanup, lighting, render passes setup, compositing SHOT 05: acquisition, dummy geometry modelling, lighting, phonebooth replacement, render passes setup, compositing SHOT 07: acquisition, camera matching, camera tracking, dummy geometry modelling, backplate cleanup, camera shake, lighting, render passes setup, compositing SHOT 08: acquisition, camera matching, camera tracking, dummy geometry modelling, backplate cleanup, lighting, leaves FX simulation, render passes setup, compositing SHOT 0911: acquisition, dummy geometry modelling, lighting, render passes setup, compositing Software: SideFX Houdini, Nuke, rendered in Mantra