adize.pl – portfolio of Adrianna Polcyn – technical art supervisor – VFX, volumetric capture, digital humans, 3d scanning, image processing, xr projects, film directing

• [2024] Moncler City of Genius – Harrods Advertisement – Shanghai Fashion Week 2024 – On Set Post-Production Supervisor, On Set VFX Compositor
• [2024] They Will Collect Us (short film, dir. Julia Dobrovolska) – VFX artist
• [2024] Lungs (short film, dir. Adrianna Polcyn) – writer, director, producer
• [2024] These Walls (short film, dir. Jared Garfield) – video plate clean-up (digital film)
• [2022] Podium (short film, dir. Hamidah Duffus) – video plate clean-up (digital film)
• [2022] Vibrant Youth Worldwide (music video) – camera operation, directing
• [2021] The Visit (short film, dir. Ebele Tate) – video plate clean-up (analogue film)
• [2021] Kiss Chase (short film, dir. Ebele Tate) – video plate clean-up (analogue film)

• [2025] IRIS XR – volumetric capture medical demo – colour correction, CGI mocap props integration and compositing
• [2024] Alo Yoga – Alo Moves XR – VR application – colour correction, volumetric assets encoding

• [2024] Wicked – feature film – digital crowd assets – volumetric capture processing and post-production for large-scale production (custom Houdini pipeline)
• [2024] Those About To Die – Peacock/Amazon Prime TV series – lead content operator for virtual production; digital crowd assets – volumetric capture shoot supervision, processing and post-production for a large-scale production (custom Houdini pipeline)
• [2023] Nike Force 9 – Haaland – AR app – volumetric capture post-production supervision
• [2022] HBO: Avenue 5 Season 2 – HBO TV series – volumetric capture post-production supervision
• [2022] Volumetric Drag Queens in Augmented Reality – AR app – volumetric assets processing, 8th wall app development
• [2022] Sad Night Dynamite – Vol. II – music video – volumetric capture post-production supervision
• [2022] Charlotte Tilbury: Welcome to a Virtual Party – AR app -volumetric capture post-production supervision
• [2022] WOW Inc: Contour – short film – volumetric capture processing and post-production supervision
• [2022] I Wanna Dance With Somebody – feature film – digital crowd assets – volumetric capture processing and post-production for a large-scale production (custom Houdini pipeline)
• [2022] On the Morning You Wake – VR documentary – volumetric capture processing and post-production supervision
• [2021] Green Planet AR with Sir David Attenborough – AR app -volumetric capture processing and post-production supervision
• [2021] Sky Scope 2.0: Back in full swing (Golf Open 2021) – live sports analysis broadcast – volumetric capture processing and post-production supervision
• [2021] Coldplay x BTS: ‘My Universe’ – music video – volumetric capture stage set-up, operation, processing and post-production
• [2021] H&M x Simone Rocha AR Pop-Up Book – AR app – volumetric capture stage set-up, operation, processing and post-production
• [2021] SONZAI – interactive AR installation at the V&A – volumetric capture processing and post-production
• [2020] Balenciaga – Afterworld: The Age of Tomorrow – fashion VR game – volumetric capture stage set-up, operation, processing and post-production
• [2020] SK Telecom – Changdeok ARirang – AR app – volumetric capture stage set-up, operation, processing and post-production
• [2020] Capital Up Close Presents Anne-Marie with Barclaycard – AR app – volumetric capture shoot supervision and processing
• [2020] Sam Smith x Spotify Diamonds AR – AR app – volumetric capture shoot supervision, processing and post-production
• [2020] Three x CSM x London Fashion Week with Adwoa Abhoa – AR app – volumetric capture shoot supervision, processing and post-production
• [2020] Covid-19 Immersive healthcare training for NHS – volumetric capture shoot supervision, processing and post-production
• [2019] National Theatre: All Kinds of Limbo – VR experience – volumetric capture post-production supervision
• [2019] Jeff Wayne: The War of the Worlds – VR experience -volumetric capture stage operation, processing and post-production
• [2019] Sky Sports: Golf Open 2019 – volumetric capture stage set-up on location, operation, processing and post-production
• [2019] Virtual Viking – The Ambush – VR experience – volumetric capture stage operation, processing and post-production
• [2018] Tino Kamal: VIP – music video – volumetric assets creation, postproduction – project lead
• [2018] Madonna: 2019 Billboard Music Awards – live broadcast performance – volumetric capture stage operation
• [2018] American Express x Wimbledon Campaign with Andy Murray: AR Champions Rally – AR app – volumetric capture processing and post-production
• [2018] Burger King: Tinie on a Whopper – AR app – volumetric capture stage operation, processing and post-production
• [2017] Sky VR: A Discovery of Witches – Hiding in Plain Sight – VR game – volumetric capture stage operation, processing and post-production

• [2017] The Nutcracker – feature film – assistant DIT with a custom toolset in Adobe After Effects for multicam sync and stitching
• [2017] The Grand Tour – TV series – multicamera rig output stabilisation with a custom pipeline in Afer Effects
• [2016] Outlander – TV series – assistant DIT with a custom toolset in Adobe After Effects for multicam sync and stitching
• [2016] Royal Navy – THREE SIX ZERO – educational content – 360-degree video cleanup and stitching

[2025] Interior Visualisation – Loft Garden Wesola – private client

• [2024] Barn House – Youngman Lovell Architects – 3d vegetation with Forest Pack, water shader, lighting setup in Corona
• [2015] Arran House Drumrossie Homes Visualisation – 3d modelling in 3ds max, lighting, animation and rendering in VRay, compositing in After Effects
• [2014] Discovery Well Integrity – GoreVega – technical animation – After Effects motion graphics, compositing, editing

• software
  • Microsoft Mixed Reality proprietary software
  • IOI Studio Cap (volumetric stage operation)
  • Arcturus HoloEdit Suite
  • Houdini custom volumetric capture tools
  • volumetric capture plugins for real-time playback
• Processing from 2d input to 3d output, optimisation of processing workflows throughout the whole pipeline
• RnD in volumetric capture, testing new software and plugins available on the market
• Volumetric capture digital human skeletonisation techniques, skeletal retargeting, machine learning deformation
• Volumetric capture retopology and temporal smoothing
• Volumetric capture assets reclothing and customisation
• Volumetric capture assets crowd generation
• Volumetric capture assets blending and looping
• Volumetric capture stage set-up, operation and supervision during the shoot
• Volumetric capture stage maintenance
• Capture and post-production software troubleshooting
• Volumetric capture texture editing
• Volumetric capture assets rendering
• Creation of virtual synthetic camera rigs to be used for testing the physical set-ups
• Artist recruitment and training, managing teams
• Advanced procedural effects on volumetric capture assets, such as materialisation effects, smoke, fire, magical effects, particles driven by velocity and more

• Houdini
  • COPs, SOPs, TOPs, MOPs (Motion Operators), MLOPs (Machine Learning Operators)
  • LOPs (Karma, MaterialX) – rendering, material creation, optimisation
  • HDA creation
  • USD workflows
  • Rendering, compositing
  • Retopology, asset decimation and optimisation
  • VDB workflows (Clouds, Pyro, simulations)
  • Vellum cloth creation and simulation
  • Character tools
    • APEX rigging
    • KineFX/APEX animation retargetting and mocap integration
    • Optimisation for real-time playback
    • Crowd generation, customisation and randomisation tools
• Marvelous Designer
  • cloth creation and simulation
• 3ds Max
  • modelling
  • lighting
  • texture and material creation
  • rendering with VRay and Corona
  • vegetation design with Forest Pack
• Unreal Engine
  • Scan to Metahuman pipeline
  • Composure compositing toolkit
  • Off-World Live Streaming Toolkit
  • sequencer control
  • Working with mocap animation, optimising FBX characters for real-time playback, looping, blending
  • Rendering
• Touch Designer
  • Preparing content for virtual production projects, camera projection setup
  • Setting up virtual production 2.5D content with dynamic user interface-controlled parameters
  • Mocap integration tools, working with different data formats
• Motion Capture and animation
  • markerless motion capture – Captury
  • Rokoko Vision
  • Mixamo
  • Editing mocap sequences with Motorica AI
  • editing mocap data in Houdini – cleanup, stabilisation, temporal smoothing
• photogrammetry
  • knowledge about best capture practices
  • Meshroom, Reality Capture, Houdini photogrammetry pipeline, Cloud Compare
• AI ML tools
  • Gaussian Splatting
    • Working in several different implementations, apps and software (INRIA, 2DGS, Supersplat, Postshot, Luma AI, Scaniverse, Volinga.AI, KIRI Engine, advanced knowledge of Houdini GSOPs)
    • preparation and processing of 2d images
    • Gaussian splat model training from images and 3d renders
    • Gaussian Splatting point cloud clean-up
    • Gaussian Splatting meshing
    • Gaussian Splatting relighting
    • Gaussian Splatting compositing with traditional 3d elements
    • Gaussian Splatting traditional rendering in Blender and Houdini
    • Synthetic Gaussian Splatting data generation
    • real-time rendering in many different engines (Unreal Engine, Unity, web-based engines)
  • up-to-date testing of the most recent code repositories for tasks such as: Extracting 3d skeletal animation data from monocular and multi-video streams, extracting facial animation for 2D videos, and 3D object tracking
  • familiarity with Generative AI Text models such as ChatGPT, GeminiAI and 3D Generative models

• working with physical cameras
• working with small drones like DJI Mini
• understanding of physical camera intrinsic, such as different camera lenses, sensor sizes, aperture, f-stop
• working with digital and analogue film cameras, including basic drone operation
• understanding of lighting the scenes in the real world and 3d scenarios
• working with multi-cam systems, GoPro, DSLR, video, 100+ cameras

• HTML and CSS
• three.js
• WordPress cms
• webGL

• Nuke Cara VR
• Syntheyes
• PT Gui

• Nuke 3d and 2d tracking
• After Effects 3d and 2d tracking
• PF Track
• Boris FX Mocha

• Adobe After Effects
• NukeX
  • rotoscoping
  • compositing
  • colour correction
  • video plate clean-up
  • tracking
• Adobe Premiere Pro
• DaVinci Resolve
• BorisFX Silhouette
• Adobe Photoshop
• Adobe Lightroom
• Adobe Illustrator
  • poster design
  • graphic design
• ProCreate (iPad)
  • poster design
• AI ML tools
  • Stable Diffusion
  • Topaz Gigapixel
  • Topaz Video AI
  • Nuke AI tools (Copycat, AI upscaling, Cattery)
  • Depth estimation tools such as RobustVideoMatting, BackgroundMattingV2 and DepthAnythingV2
  • Boris FX Silhouette ML Tools (automatic masking, retiming, denoising footage)

• basic javascript
• VEX (Houdini)
• Python (intermediate)

• feedbacking to software developers